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Archives and documents of Syrian antiquities, issued by the General-Directorate of Antiquities and Museums, Damascus.
Reports and research from national, foreign, and joint excavations, and from archaeological surveys and restorations, issued by the General-Directorate of Antiquities and Museums, Palmyra.
Manar al-Athar website, University of Oxford
An extensive archive containing images of historical and archaeological sites found in the Middle East and North Africa that were part of the Roman Empire. Images are available without cost for teaching, research, and publication.
A comprehensive resource for historical sites in Syria, many of this website’s sections, such as the one on Palmyra, juxtapose the author’s photographs with historical sources. It also includes documentation of the damage wrought by the Syrian conflict.
This digital archaeological project dedicated to preserving the memory of the lost cultural heritage of Palmyra features virtual reconstructions and 3-D models of major monuments, created to raise global awareness of these unique historic structures.
A joint Italian and Syrian archaeological project exploring the southwestern quarter of Palmyra with a focus on the chronology of the urban development and transformation of the city.
A short introduction to Palmyra accompanied by an exhibition video with engravings published in 1753 by Robert Wood and photographs taken in the 1860s by Felix Bonfils. The museum is currently working on a three-dimensional scan of the 3rd-century funerary bust of Haliphat, a highlight of its Palmyra collection.
Partnering with the Palmyra Portrait Project (Aarhus University), Getty Villa curated and mounted this exhibition of Palmyrene funerary portrait sculptures, on long-term loan to Getty, from the collections of the Ny Carlsberg Glyptotek in Copenhagen and Stanford University.
Palmyra Portrait Project, Aarhus University
More than 3,000 Palmyrene funerary sculptures and fragments are held in museums around the world. This project aims to compile a definitive corpus of these objects for online research, to publish scholarly texts on Palmyrene art, and to digitize the archive of Danish archaeologist Harald Ingholt.
Mounted by the Ministère de la Culture, this site documents Palmyrene sculpture held in French institutions and provides an overview of Palmyra, noting the work undertaken between 1930 and 1945 by archaeologist Robert Amy.
A collection of glass lantern slides, albumen prints, stereoviews, silver gelatin prints, postcards, and 35 mm slides collected by Norbert Schiller, who worked as a news photographer in the Middle East and Africa for over 30 years.
Site of Palmyra, UNESCO World Heritage Centre
This site contains state-of-conservation reports, photos, and maps describing the recent devastation of several buildings and damage to artifacts in the Palmyra Museum.
Syrian Directorate-General of Antiquities and Museums
Official information on Syrian heritage, data on preservation issues related to the destruction of the archaeological sites, and updates about Syrian museums.
This exhibition at the Museum of Islamic Art in Doha, Qatar, highlighted Syria’s extraordinary cultural heritage, with a plead to safeguard it. Five periods of Syria’s history were explored through 120 objects on view that illuminated the region’s key role in the artistic and intellectual history of the world.
Syrian Heritage Archive Project
An initiative by German institutions to gather and maintain detailed documentation of Syria’s cultural heritage.
Supporting Technical Works in Palmyra, Iconem
Using a variety of digital tools and imaging techniques, the Iconem team documents and assesses damage to heritage sites. Their work in Palmyra involves acquiring field data to create 3-D models that simulate the dynamics of the explosions that leveled the site’s monuments.
The American Schools of Oriental Research
An international organization that promotes research into the history and cultural heritage of the Near East and wider Mediterranean from the earliest times. This website includes special reports on the Syrian conflict.
Read scholarly insights and a behind-the-scenes perspective of The Legacy of Ancient Palmyra on the Getty blog.
Wisconsin Palmyrene Aramaic Inscription Project
Using Reflectance Transformation Imaging (RTI), scholars will re-collate inscriptions from Palmyra and analyze stylistic changes in the scripts to understand how family relations are described.
A blog by classical scholar Judith Weingarten highlighting the life and times of Palmyra’s famed Queen Zenobia, as well as other “ambitious” female rulers from antiquity.
“Palmyrene Funerary Sculptures at Penn,” by Michael Danti, University of Pennsylvania Museum
“Breakfast in the Ruins,” by Ingrid D. Rowland, The New York Review of Books
Views and panoramas of Beirut and the ruins of Palmyra, 1864 (Louis Vignes)
Getty Research Institute presents Return to Palmyra. Featuring an overview of the city from the prehistoric to modern period by art historian Joan Aruz and an interview with Waleed Khaled al-As’ad, former director of antiquities and museums at Palmyra, this project highlights the unique history and character of the Palmyrene people.
To gain an understanding of Palmyra’s far-reaching influence, explore our online exhibition The Legacy of Ancient Palmyra, newly available in Arabic as well.
Return to Palmyra is Getty's first project presented in Arabic. To achieve this, we enlisted the help of regional scholars and consultants who guided the translation and design of the Arabic website, providing a reading and viewing experience that is consistent and engaging in both languages.
Special thanks to: Majd al-Shihabi, Argos Multilingual, Christa Aube, Natasha Berokoff, Catherine Bonesho, Tristan Bravinder, Debra Canter, Paula Carlson, Jim Cuno, Andra Darlington, Matthew Dunnerstick, Rich Fagan, Noureddine Khiary, Kristine Genevive Khouri, Anne Helmreich, Amy Hood, Kenneth Lapatin, Lisa Lapin, Atoor G. Lawandow, Kirsten Lew, Tima Link, Theresa Luisotti, Maureen McGlynn, Mary Miller, Shanjida Milon, David Newbury, Steve Olsen, Jennifer Park, Andrew Perchuk, Lily Pregill, Yousra Rebbani, Brittany Saake, Ursula Schulz-Dornburg, Andreas Schmidt-Colinet, Caitlin Shamberg, Annelisa Stephan, Lela Urquhart, Yasmine Vatere, Maria Velez, Anya Ventura, Sarah Waldorf, Lena Watanabe, and Robert Weisberg.
Getty Research Institute's first online exhibition, The Legacy of Ancient Palmyra, features the Institute's rare print and photograph collections documenting an important archaeological site that has recently undergone devastating changes amid an ongoing war in Syria. The project was conceived as a means to complement the Institute's exceptional holdings with an innovative design that creates a compelling digital experience. The online presentation of this exhibition aims to reach a global audience.
We would like to express our sincere gratitude to Thomas W. Gaehtgens, Jack Ludden, Andrew Perchuk, and Marcia Reed for their sustained encouragement in developing this project, and for creating an environment at Getty Research Institute that fosters new endeavors.
Special thanks to the following for their valuable contributions to this project: Fred Albertson, Martha Alfaro, Mantas Andrijauskas, Joan Aruz, Christa Aube, Zainab Bahrani, Nikolas Bakirtizis, Annie Barnes, Jobe Benjamin, Tracy Bonfitto, Claudia Brink, Robert Brown, Shelby Brown, Michelle Brunnick, Giorgio Buccellati, Debra Canter, Henry Colburn, Linda Conze, Tahnee Cracchiola, Ted Dancesu, Owen Doonan, Chris Edwards, Adriana Fernandez, Duncan Forbes, Lisa Forman, Michał Gawlikowski, Corinna Gramatke, Eric Guzman, Ann Harrison, Maira Hernandez-Andrade, Amy Hood, Brooks Huber, Wim Hupperetz, Visa Immonen, Julie Jaskol, Ted Kaizer, Jorrit Kelder, Thomas Ketelsen, Jan Kindberg Jacobsen, Sharon King, Kenneth Lapatin, Sean Leatherbury, Claire Lyons, Louis Marchesano, Theresa Marino, Maureen McGlynn, Matt Moore, David Myers, Christine Nguyen, Nancy Perloff, Melissa Piper, Isotta Poggi, Merritt Price, Rubina Raja, Julie Romain, Ursula Schulz-Dornburg, Kim Sellery, Sarah Sherman, Teresa Soleau, Jeffrey Spier, Christopher Sprinkle, Annelisa Stephan, Mark Stone, Jeanne Marie Teutonico, Branko van Oppen, Cristina Velasquez, Maria Velez, Sarah Waldorf, Wes Walker, Amelia Wong, Anna Zagorski, and Dror Zeevi.
© 2017 J. Paul Getty Trust
Except as noted below, this work is licensed under a Creative Commons Attribution 4.0 International Public License.
All images listed below, numbered according to their order on the Exhibition Checklist, are reproduced with the permission of the owners and are expressly excluded from the Creative Commons license covering the rest of this online exhibition. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.
78. Getty Research Institute, 84-B25075
83. Musée des Beaux-Arts, Lyon, 1992-13. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY
86. Musée du Louvre, Paris, AO 1556. Photo: Hervé Lewandowski. © RMN-Grand Palais / Art Resource, NY
89. Allard Pierson Museum, University of Amsterdam, 000.049. Courtesy of the University of Amsterdam
93. Photo Credit: National Trust / Art Resource, NY
94. National Trust, Erddig, Wrexham, Wales, 1147092
95. Sir John Soane's Museum, London, MR34. © Sir John Soane's Museum, London
100. Art Gallery of South Australia, Adelaide, South Australian Government Grant 1890, 0.86
101. British Museum, London, 1843, 0513.425. © The Trustees of the British Museum / Art Resource, NY
102. The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California. Purchased with the Virginia Steele Scott Acquisition fund for American Art. Photo © Fredrik Nilsen. © Courtesy of the Huntington Art Collections, San Marino, California
104. Photo: T. Versteegh. © Polish Mission to Palmyra / Polish Centre of Mediterranean Archaeology
105. Photo: H. Romanowski. © Polish Mission to Palmyra / Polish Centre of Mediterranean Archaeology
106. Photo: T. Biniewski. © Polish Mission to Palmyra / Polish Centre of Mediterranean Archaeology
107. Photo: T. Versteegh. © Polish Mission to Palmyra / Polish Centre of Mediterranean Archaeology
108. Photo: M. Gawlikowski. © Polish Mission to Palmyra / Polish Centre of Mediterranean Archaeology
109. © Ursula Schulz-Dornburg. Courtesy of Gallery Luisotti